Integrating Public History and Public Space – An example from Philadelphia

In my wanderings I sometimes come across interesting examples of how works of art, public murals, commemorative plaques educate the public in interesting ways. Usually these spaces contain a statue, or a brief description of the person, place or event but while meandering around Philadelphia many months ago I came across an interesting little example using public space.


Education using public space on 16th St. and Wharton in Philadelphia at the G.W. Childs School.

On the walls of the G.W. Childs school on 16th Street and Wharton they had place four panels explaining and exploring the definition of the word “culture.” It caught my attention, making me slow, and then pause to read each entry. I began to smile as I read them and then took a photograph of the wall so I would not forget it. There is much you could say much about the photograph of the school, the pretty patterns and the way a tree is bursting forth across the door, or the contrast between the iron grating protecting the windows forming a barrier and the mural attempting to reach out to the community. However I want to focus briefly at the topic of the mural; culture and the way it is presented to the public.


The colorful patterns draw your eyes while the writing challenges you to think about what you see and how you see it.

Each panel explains culture to the reader in different ways, how it is transmitted, understood, and influences people. The only thing I would suggest they add is a panel discussing how culture is often contested. One person might define a culture one way, whereas another person might define it in a very different way even if they hail from the same cultural background. At present this is particularly easy to observe in a contentious election season.

But what I want to congratulate the authors of this work is the way that they challenge the reader to think about the idea of culture in several different ways. Often these public art works speak to the viewer simplistically. These sentences offer very little context and are likely to be quite challenging for a member of the general public to read. When I was very young I hated when people needlessly talked down to me because I was young. I often see similar efforts to interact with the public on the front of buildings or schools to be very superficial, to the point of banality, in a needless effort to simplify their message. In my humble opinion one such public work is the Spire in Dublin. Before I completely retreat from the dangerous tangential path of art criticism I expect there are very few people out there who could suggest the Spire challenges us in an interesting way. Certain it is not as interesting as this little work on a school building in Philly.

Mostly I would encourage you to wander and perhaps you will likewise find interesting uses of public space. I feel that schools that do this in interesting ways should be commended and thus the inspiration for this brief rambling post.

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US Presidential Game of Thrones: Republican Party

With the sound of that epic intro music still ringing in your ears here are the Republican nominees…


Jeb! Bush/ Stannis! Baratheon

Please clap. Stannis inspired no great love in the people, though he did have some fervant supporters. Similarly Jeb was, for all intents and purposes, the rightful heir to the throne. Or, at the very least, the rightful heir to the Republican Party’s nomination. A series of disastrous defeats left us wondering how it could have all gone so terribly wrong when both Jeb! and Stannis! seemed to have such an overwhelming advantage at the outset.

Game of Thrones quote: “The nomination is mine. By right. All those that deny that are my foes.” “The whole realm denies it, from Alaska to Trump Wall.”


Trump/Bobby B.

He was an outsider, a rebel, and didn’t play by the rules. But of course when it came time  to rule, he was pretty terrible. In spite of his questionable governance Robert Baratheon remained a popular leader with the people thanks to his policy of running up debts and making the Braavosi/Lannisters pay. I mean, it’s hard to hate a guy who just tells you what you want to hear… Wait, are we still talking about King Robert?

Game of Thrones quote: “Obama gave wise and prudent advice. But I fear Trump doesn’t always listen…”


Ted Cruz/Lady Melisandre

One of them is a  religious fanatic who uses the language of faith to further their political agenda. The other is a red priestess from Asshai. It is fairly obvious at this point in the contest that neither Cruz nor Melisandre stand much chance of winning their respective battles. Melisandre is hated by those within her group who are not followers of her specific religion and likewise Cruz is “the most hated man in the Senate.”

Game of Thrones quote: Cruz explains his inspiring election platform “We all must choose, man or woman, young or old, lord or peasant, our choices are the same. We choose light or we choose darkness. We choose good or we choose evil. We choose the true god or the false.”


Marco Rubio/Cersei Lannister

Look up the dictionary definition of smarmy and you wouldn’t be surprised to see one of these faces beaming back at you. Cersei thinks of herself extremely highly, and carries around an arrogance that is completely unjustified. Rubio’s swagger in the early primaries was similarly premature and the veil of intelligence was lifted by Chris Christie in a single notorious exchange. The question is whether his push for power this time has permanently dented his future prospects. Short-sighted political moves are Cersei’s speciality.

Game of Thrones quote: “We don’t distrust you because you’re a Latino, we distrust you because you’re not as smart as you think you are” Republican base to Rubio


Ben Carson/Olly

His appearance confused many. What was his point? What was he doing amidst so many other louder characters? Just… Why? Poor soft-spoken Ben Carson was not meant for the rough and tumble world of the Republican nomination. Olly, too, had a tough start to life.

Game of Thrones quote: “Who?”


Lindsey Graham/Renly Baratheon

The south’s favored son never really got his campaign rolling, even if he seemed to have the political connections to go all the way, or at least challenge his closest rival. In the end he was lost in a sea of more interesting and exciting characters, a small footnote in a series of remarkable political upsets. But then again, who could plan for Trump or a demon baby birthed by a red priestess?

Game of Thrones quote: Trump : You think a few bolts of cloth will make you President?
Graham: No. The men holding those bolts of cloth will make me President.
Trump: We shall see, Lindsey. Come the dawn, we shall see.
Cruz: Look to your sins, Lindsey Graham. The Republican nominations are dark and full of terrors.



Treated by disdain by most they act like a mass of unorganized savages. Even when it is in their best interests to compromise and work together they manage it only under the leadership of Mance Rayder. Sadly there is no such figure in America today, or at least none that Congress feels it need support despite their deepening unpopularity. Congress might be responsible for much pillaging… Sorry, I meant the Wildlings might be responsible for much pillaging near the Wall but tends to be the scapegoat for all that is wrong in the realm. Much like Congress.

Game of Thrones quote: “I met some of congress when I was a boy. They were fair thieves but bad hagglers. One made off with our cabin girl. All in all, they seemed like any other men, some fair, some foul.”

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US Presidential Game of Thrones: Democratic Party

DUN DUN DA DA DUN DUN DA DA… It’s that time of the year again, it’s time for a new Game of Thrones season! Much like the US presidential elections, when Game of Thrones started on television none of us knew how long it would continue. And, like the books, the US election doesn’t look like it’ll ever be finished. A new episode airs tonight and I thought it might be a fun to link characters in the show to the nominees for the presidential election in November. Here’s what I came up with…


Tywin Lannister/Hillary Clinton

Hillary is a powerful, ruthless, and a canny political player. Like Tywin she’s worked behind the scenes for decades to manoeuvre House Clinton into the major power it is today.  Like Tywin she seemed like she could have become the King in the last struggle for power before a younger, more popular leader (Robert Baratheon in Tywin’s case) won out. Despite this setback she worked with the new administration, biding her time, building allies and her fortune until her next chance. This time, nothing will stand in her way. Unless Chelsea with a crossbow bumps into her in a restroom…

Game of Thrones quote: “Hillary sends her regards…” Whispered to Bernie Sanders after New York primary.


Bernie Sanders/Daenerys Targaryen

Always a bit of an outsider being an Indendent/Exiled isn’t easy. Hope links these two characters, hope and a brave group of loyal supporters who would follow their leader to the very end. When he started out it looked like Bernie didn’t have a shot in the world (like a certain Targaryn) but he seemed to overcome every obstacle to become the great fiery underdog story this election season. Echoes of the Khalessi’s somewhat naive approach to governing the realm can be heard when he repeats the same lines again and again. “Millionaires and Billionaires” could easily be his version of “Fire and Blood.” Still, it is great to see rich jerks (The Masters in Meereen/Wall Street) finally getting taken down a peg by someone. Like Dany’s storyline, we look at Bernie’s campaign and wonder, is anything going to come of it?

Game of Thrones quote: “Let Wall Street worry about ‘good’ and ‘evil’. I’m giving them a choice: they can live in my new world, or they can die in their old one.”


Martin O’Malley/Ned Stark

Poor O’Malley was fighting for what he always fought for. Despite everyone broadly liking him, no-one took him seriously. Pretty much like Ned Stark in King’s Landing. Also, he died really early on…

Game of Thrones quote: “And now it begins,” said Ser NBC, the News of the Morning. He unsheathed the Iowa caucus results and held them with both hands. They were pale as milkglass, alive with light. “No,” O’Malley said with sadness in his voice. “Now it ends.”



The two men formed an unlikely buddy-cop pair and endeared themselves to the public. Their friendship was opportunistic but it’s easy to see how the two came to respect each other over time. Yep, it’s easy to see who is the more powerful partner in the relationship but they have proved formidable in their own way, and Biden/Bronn have helped Obama/Tyrion in useful and unexpected ways. Tyrion is pretty perfect for Obama. A man who has tried to do what is best for the realm but is hated by many. The phrase “Thanks Obama” should suffice as evidence. Thankfully I haven’t heard anyone refer to him as a “Demon monkey.” At least yet. For the book nuts out there, isn’t is a funny coincidence that both Obama and Tyrion have conspiracy theories about their birth?

Game of Thrones quote: “And here we have Biden, son of…” “You wouldn’t know him.”


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Mugshot Histories: Send in the Clowns

In the nineteenth and early twentieth century an interesting form of biography became popular called mugshot histories. Publishers advertised their book with grandiose titles in states or regions to people who could then purchase an entry for themselves. Along with a glowing account of their lives they could pay more to get their photograph included in the book with their entry, thus the name mugshot. One Chicago based publisher A.W. Bowen & Co. released several of these books, including Progressive Men of Montana (1902), Progressive Men of Southern Idaho (1904), and Progressive Men of the State of Wyoming (1903). While doing some research on the Wyoming edition I came across the story of the traveling clown J. H. Foster.

The entry on page eighty-six opens with the usual glowing endorsement of Foster’s heritage. “Combining in his veins the chivralic devotion, gallantry, grace and geniality of France, and the rugged virtues of the Scotch-Irish race…is one whose life and career present unique features.” The phrase unique features vaguely hints at the difficulty the writer had of portraying his life in positive terms when it ran so contrary to societal expectations. His father fought for the Confederacy and “fortunes of war” had driven them from Kentucky. His mother was a native of Paris and there were ten children in the family when the father died and there is so little mentioned about those exact circumstances that it raises some questions.

When he was fourteen years old Mr. Foster joined an uncle who was “a celebrated clown connected with John Robinson’s circus” and the entry reports that he proved gifted enough to take over from his uncle with a scarce two-months experience. The difficulty of the work and his aptitude for it is emphasized in the piece as he toured the country “acquiring a high reputation and a great popularity.” These commendations were  secondary to the later assessment of his clowning career which was that “[he] demonstrated that ‘a circus man,’ could be a man of character and good morals, for during his life as a clown he never used tobacco, never used intoxicant and never used profane language.” The implication that a clown would do both is obviously implied.

In the late nineteenth century Americans developed an increasing mistrust of the traveling worker with some states drafting laws against hoboes and wandering laborers. An offshoot of this seems to have been a growing mistrust of all mobile workers and entries like the one for John Foster seem to indicate this is the case. They also set the stage for the vitriol against the Okies in the 1930s, so perfectly detailed in Steinbeck’s Grapes of Wrath. From Chapter IXX, “Sure, they talk the same language, but they ain’t the same. Look how they live. Think any of us folks’d live like that? Hell, no!” As the unknown writer for the Progressive Men of the State of Wyoming noted this is a unique entry and in spite of its bias it offers us a valuable and rare insight into the life of a clown at this time and the ways that wider society perceived them.


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Brooklyn: Expertly filling gaps in our historical memory

In capable hands fiction can be a powerful tool for learning about the past. It can help humanize the past, making it more real for viewers, it can touch upon themes and ideas that are sometimes bogged down in dizzying historical narratives. While historians rightly wrestle with their own demons in an effort to try and engage people about their work sometimes movies are simply that much more accessible to the wider public. It is refreshing when a film so sensitively engages with the past. The new movie Brooklyn is a simple story, very familiar to Irish people, a young woman (expertly played by Saoirse Ronan) emigrates from Enniscorthy to New York in the mid-twentieth century. I left the cinema a little stunned at how completely it portrayed the people, the place, the challenges of the period.

One scene in particular stood out for me, one in which the young girl works at the parish hall in Brooklyn to give scores of local homeless men a Christmas meal. The priest, a relation of hers who organized a job and documentation for her to come to the US (illustrating the ties within the Irish diaspora), tells her that these elderly, unwashed men are all Irish. Looking at the disheveled crowd he educates her  “These are the men who built the roads, the bridges, the skyscrapers.” When the woman asks why don’t they return home, to Ireland, the priest looks surprised, “What home? Everyone they knew is dead…” A touching rendition of Casadh an tSúgáin by one of the men closes out the scene and references the Irish language some of emigrants would have spoken as their first language hinting at the jarring disconnect between their present and a past that they can never return to.

I cannot think of any other movie that so accurately depicts the life of Irish migrants and while it would have been easy for the film to become overly sentimentality at several points it never does and credit goes both to Director John Crowley and Screenwriter Nick Hornby for so expertly adapting Colm Tóibín’s book. I would put this alongside The Field and The Wind that Shakes the Barley as essential viewing for anyone hoping to gain some sort of perspective on twentieth century Ireland without ever opening a history book. Of course, after you finish watching them you should open up a history book!

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Newspaper clips: “You dirty rat” in the mines

Certainly mining and industrial history isn’t everyones cup of tea – my friends decided to prohibit me from chatting about it whenever we talk – but I find history fascinating and so whenever I see weird anecdotes popping up as I browse nineteenth century newspapers I have to tell someone, so here is this post! Almost everyone is aware that nineteenth century mining was tough, dirty, and dangerous work. They usually aren’t aware that  mines in the United States were some of the most dangerous mines in the world at this time. Anthracite mines in eastern Pennsylvania were even more dangerous than the the notoriously deadly mines of Transylvania where workers were little better than serfs. If you can imagine such conditions allow one newspaper clipping to further colour the scene down in the bowels of the earth.

In the 1870s Eastern Pennsylvania was wracked with waves of strikes as miners tried to improve their pitiful wages. During these strikes the mine companies tried desperately to protect the mines from sabotage by their workers. Apart from dynamiting the mine the workers could also target the water pumps, as without pumps the mines would fill with water and it was costly in time and resources to reopen a flooded mine. On 13 September 1877 the Elk County Advocate reported there had been a stoppage of the pumps at the Van Storch mines. The paper continued “droves of large rats came out of the mine in search of dry land.” So far, so disgusting. “It was estimated at least ten thousand were thus drowned out.” That number should add a little more fuel to your imagination when you think of the sights, sounds, and smells of work down, down, down in the mines.

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Liam Cosgrave: A paragon of Irish political ‘me féinism’

There are several remarkable features about Liam Cosgrave. None to do with his political career mind, I want to focus on his life after politics. It is a life that perfectly illustrates the rotten mindset at the heart of a corrupt civil and political administration in Ireland. The first surprising feature about Liam Cosgrave is that he is, as of the 8 May 2015, still alive. This will come as surprising news to most, who probably thought he had long ago shuffled off his mortal coil. But it leads to the second and more shocking feature of his life; that this man has used the Gardai as his own private security and transportation since he retired from politics in 1981. The fact that he neither sees this as a gross misapplication of state resources nor as a tragic example of heightened self-importance reveals the true character of the man. Like the vast majority of Ireland’s twentieth century political leadership he gained his political office through fortunate circumstance of birth (the son of W.T. Cosgrave) rather than merit, and was four years as Taoiseach between 1973-7.  He is a largely forgotten figure in Irish politics, his term as leader was sandwiched between Jack Lynch’s time as Taoiseach. All former Taoisigh and Ministers for Justice are entitled to Garda protection 24/7, as well as a Garda driver, supposedly for their protection. Again, let’s remember, if he ever needed Garda protection that time is long gone, since no-one knows he’s still alive.

Let’s do a few rough calculations. There are four Gardai stationed in a little hut in front of his house every day and every night. These Gardai are paid approximately €30,000 a year (that’s after the government claws back its share through taxes). Every day the Gardai “work” in the little hut guarding Mr. Cosgrave they are also paid a subvention of €10 a day. Multiplied by four and then 365, we get the figure of €14,600 a year for subs. So, four Gardai is €120,000 plus the subs of €14,600 and we come up with a modest figure of €134,600 a year to protect Liam from the public of Ireland that he so dutifully served. He retired from politics in 1981, which is 34 years to this date.

Liam Cosgrave has cost the state AT LEAST €4,576,400 (‘at least’ because I am not including the use of a driver and the state car which he availed of for decades). The waste is simply staggering even if we try and ignore the wasted manhours. It is this sort of waste and privilege amongst the elites in Irish society through generous pay, cushy pensions, golden parachutes and, most remarkably, a corresponding dearth in culpability when things do go wrong. This attitude covered in a thin cowl of patriotic credentials they inherited from their parents allows Liam Cosgrave and others like him ate greedily out of the trough and continue to do so. If the man ever had a patriotic bone in his body he would have done the right thing and refused his Garda protection decades ago.

Is it any wonder that 86 percent of Irish people believe that corruption is a serious problem in Ireland? I believe the Irish people are not just talking about the old brown envelopes famous during the Haughey and Bertie years but also more broadly about the general sense of entitlement and me féinism that is so prevalent in the political system.

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